What is FULL Adam Szabo JP6K VSTi V1.0.exe and Why You Need It for Your Music Production
FULL Adam Szabo JP6K VSTi V1.0.exe
If you are looking for a virtual synthesizer that can emulate the famous Super Saw sound, first found in the Roland JP-8000 synthesizer in 1997, then you might want to check out JP6K by Adam Szabo. This plugin is dedicated to capturing the essence of the sound and the behavior of the original oscillator, and it offers many features and options to tweak and shape your own Super Saw patches. In this article, we will review JP6K and show you how to use it in your music production.
FULL Adam Szabo JP6K VSTi V1.0.exe
Download File: https://www.google.com/url?q=https%3A%2F%2Fmiimms.com%2F2tX5CY&sa=D&sntz=1&usg=AOvVaw1k4V-R8_2uFH-3xM-ZIbPl
Introduction
The Super Saw sound is one of the most iconic sounds in electronic music, especially in genres like trance, house, techno, and EDM. It is a rich and powerful sound that consists of multiple sawtooth waves detuned and panned across the stereo field, creating a lush and wide sonic texture. The Super Saw sound was first introduced by Roland in their JP-8000 synthesizer in 1997, and it quickly became a staple for many producers and musicians all around the world.
What is JP6K?
JP6K is a virtual synthesizer plugin that emulates the Super Saw sound of the Roland JP-8000. It was created by Adam Szabo, a producer and sound designer who has been making music since 2007. He has released several plugins, such as Viper, Phazor, and FilterShaper, as well as sample packs and presets for various synths.
JP6K aims to recreate the Super Saw sound as faithfully as possible, while also adding some modern features and enhancements. It is available as a 32-bit and native 64-bit VST instrument for Windows only (not for Mac). It costs 25 euros and you can buy it from Adam Szabo's official website. You can also download a demo version that has some limitations, such as preset saving disabled and silence every 60 seconds.
What is Super Saw sound?
The Super Saw sound is a type of waveform that consists of multiple sawtooth waves stacked together, detuned and panned across the stereo field. The result is a rich and powerful sound that can be used for leads, pads, chords, arpeggios, basses, and more. The Super Saw sound is also known as Hypersaw or Supersaw Plus.
The Super Saw sound was first introduced by Roland in their JP-8000 synthesizer in 1997. The JP-8000 was an analog modeling synthesizer that had two oscillators per voice, one of which could produce the Super Saw waveform. The user could control the number of sawtooth waves (from 1 to 7), the amount of detune (from 0 to 127), and the stereo spread (from mono to wide). The JP-8000 also had a filter section, an amplifier section, an LFO section, an envelope section, and an effects section that could further shape the sound.
Why is JP6K different from other synths?
There are several factors that make JP6K different from other synths that provide a similar sound. The original Super Saw from Roland was aliasing, which means that it produced unwanted high-frequency harmonics that gave it a bright and "airy" sound. To prevent the oscillator from sounding harsh below the fundamental harmonic, a high pass filter was possibly used to remove unwanted frequencies. The JP6K uses the same design to achieve that special oscillator waveform giving it a unique tone.
Another important aspect of the classic Super Saw was its unique detune curve. It was non-linear, which gave the user greater control over the detune amount. Even when the detune control was halfway, the spread of the detune was small, which made it possible to make very smooth sounding pads. The curve then gradually increased, and at higher values, the detune rapidly spread out to maximum. This unique curve is accurately modeled in JP6K, making it nearly identical to the detune in the hardware.
Features of JP6K
JP6K has many features that make it a versatile and powerful synth for creating Super Saw sounds. Here are some of them:
Super Saw oscillator
JP6K has two Super Saw oscillators per voice, each with its own panning control. You can adjust the number of sawtooth waves (from 1 to 7), the amount of detune (from 0 to 127), and the stereo spread (from mono to wide). You can also fine-tune each oscillator individually or together.
Special detune curve
JP6K has a special detune curve that mimics the original Super Saw from Roland. It is non-linear, which means that it gives you more control over the detune amount. You can also switch between two modes: Normal mode (which follows the original curve) or Linear mode (which follows a straight line).
Filter modes
JP6K has three filter modes: Low Pass, Band Pass, and High Pass. You can choose between -12 dB/octave or -24 dB/octave slopes for each mode. You can also adjust the cutoff frequency (from 20 Hz to 20 kHz), the resonance (from 0% to 100%), and the filter envelope amount (from -100% to 100%).
LFOs and envelopes
JP6K has three independent LFOs that can modulate the filter cutoff frequency, the amplifier volume, or the pitch of both oscillators. You can choose between four waveforms: Sine, Triangle, Square, or Random. You can also adjust the rate (from 0 Hz to 20 Hz), the depth (from -100% to 100%), and the delay (from 0 ms to 500 ms) of each LFO.
JP6K also has three envelopes: one for pitch modulation (with attack time only), one for filter modulation (with attack time only), and one for amplitude modulation (with attack time only). You can adjust each envelope's attack time (from 0 ms to 500 ms) independently.
Built-in effects
JP6K has two built-in effects: Delay and Equalizer. The Delay effect lets you add echo or reverb to your sound. You can adjust the delay time (from 0 ms to 2000 ms), the feedback amount (from -100% to 100%), and the mix level (from -100% to 100%) of each channel separately.
The Equalizer effect lets you boost or cut certain frequency bands of your sound. You can adjust the low shelf frequency (from 20 Hz to 20 kHz), gain (from -12 dB to +12 dB), Q factor (from 0.1 to 10), high shelf frequency (from 20 Hz to 20 kHz), gain (from -12 dB to +12 dB), Q factor (from 0.1 to 10), mid frequency (from 20 Hz to 20 kHz), gain (from -12 dB to +12 dB), Q factor (from 0.1 to 10) of each channel separately.
How to use JP6K
To use JP6K in your music production, you need to follow these steps:
Installation and activation
To install JP6K on your computer, you need to download it from Adam Szabo's official website. You will receive an email with a download link and an activation code after purchasing it. You need to unzip the downloaded file and copy both files (.dll) into your VST plugins folder on your computer.
To activate JP6K on your computer, you need to open it in your DAW or host application and enter the activation code that you received via email. You need an internet connection for this process. You can activate JP6K on up to three computers with the same activation code. You can also deactivate JP6K on your computer if you want to use it on another one.
GUI overview
JP6K has a simple and intuitive graphical user interface (GUI) that lets you access all the controls and functions easily. The GUI is also resizable, so you can adjust it to your preference. The GUI consists of four main sections: the oscillator section, the modulation section, the effects section, and the display section.
The oscillator section is where you can adjust the parameters of the two Super Saw oscillators and the noise oscillator. You can switch between the upper and lower layers by clicking on the selector button or directly on the selectors. You can also fine-tune each oscillator individually or together by clicking on the fine-tune buttons.
The modulation section is where you can adjust the parameters of the three LFOs and the three envelopes. You can choose between four waveforms for each LFO: sine, triangle, square, or random. You can also sync each LFO to the tempo of your host application by clicking on the sync button. You can adjust the attack time of each envelope by dragging the slider up or down.
The effects section is where you can adjust the parameters of the two built-in effects: delay and equalizer. You can adjust each channel separately by clicking on the left or right buttons. You can also bypass each effect by clicking on the on/off button.
The display section is where you can see the current preset name and the value and name of a control when you hover over it. You can also access the preset browser and manager by clicking on the display or using the prev and next buttons. You can also rename the current preset by right-clicking on the display. You can also access the patch options by clicking on the patch button.
Preset browser and manager
JP6K has a built-in preset browser and manager that lets you load, save, rename, copy, paste, and delete presets easily. You can access it by clicking on the display or using the prev and next buttons. You can also rename, copy, paste, and delete presets by right-clicking on them. You can also load and save individual presets or whole banks by clicking on the patch button.
JP6K comes with 114 presets that cover a wide range of sounds, such as leads, pads, plucks, basses, arpeggios, and more. You can also find more presets from third-party sound designers, such as CFA-Sound, or create your own presets from scratch.
Tips and tricks
Here are some tips and tricks to help you get the most out of JP6K and create amazing Super Saw sounds:
- Use the fine-tune buttons to create subtle variations between the upper and lower layers. This can add more depth and movement to your sound. - Use the filter envelope to create dynamic changes in the timbre of your sound. You can also use the filter LFO to create rhythmic modulation effects. - Use the pitch envelope to create pitch bends or glides for your sound. You can also use the pitch LFO to create vibrato or wobble effects. - Use the delay effect to create echo or reverb for your sound. You can also use different delay times for each channel to create stereo width or ping-pong effects. - Use the equalizer effect to boost or cut certain frequency bands of your sound. You can also use different settings for each channel to create tonal balance or contrast effects. Conclusion
JP6K is a virtual synthesizer plugin that emulates the famous Super Saw sound of the Roland JP-8000. It is a powerful and versatile synth that can create rich and lush sounds for various genres of electronic music. It has many features and options that let you tweak and shape your own Super Saw patches, such as two Super Saw oscillators with panning, a special detune curve, three filter modes, three independent LFOs and envelopes, and two built-in effects. It also has a simple and intuitive GUI that lets you access all the controls and functions easily. It comes with 114 presets that cover a wide range of sounds, and you can also find more presets from third-party sound designers or create your own presets from scratch.
If you are looking for a synth that can emulate the Super Saw sound faithfully and offer some modern enhancements, then you might want to check out JP6K by Adam Szabo. It is available as a 32-bit and native 64-bit VST instrument for Windows only (not for Mac). It costs 25 euros and you can buy it from Adam Szabo's official website. You can also download a demo version that has some limitations, such as preset saving disabled and silence every 60 seconds.
JP6K is a synth that can help you create amazing Super Saw sounds for your music production. Whether you want to make leads, pads, plucks, basses, arpeggios, or anything else, JP6K can do it for you. Try it out today and see what you can come up with!
FAQs
Here are some frequently asked questions about JP6K:
- Q: How do I install JP6K on my computer? - A: To install JP6K on your computer, you need to download it from Adam Szabo's official website. You will receive an email with a download link and an activation code after purchasing it. You need to unzip the downloaded file and copy both files (.dll) into your VST plugins folder on your computer. - Q: How do I activate JP6K on my computer? - A: To activate JP6K on your computer, you need to open it in your DAW or host application and enter the activation code that you received via email. You need an internet connection for this process. You can activate JP6K on up to three computers with the same activation code. You can also deactivate JP6K on your computer if you want to use it on another one. - Q: How do I resize the GUI of JP6K? - A: To resize the GUI of JP6K, you need to click on the resize button at the bottom right corner of the plugin window. You can then drag the corner to adjust the size of the GUI to your preference. - Q: How do I access the preset browser and manager of JP6K? - A: To access the preset browser and manager of JP6K, you need to click on the display or use the prev and next buttons. You can also right-click on the display or the patch button to access more options, such as load, save, rename, copy, paste, and delete presets. - Q: How do I create my own presets with JP6K? - A: To create your own presets with JP6K, you need to adjust the parameters of the synth to your liking. You can then right-click on the display or the patch button and choose "save as" to save your preset with a custom name. You can also overwrite an existing preset by choosing "save".